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2013-09-09

Deepak Chopra Remembering Michael


 
 

MJ 的 Dancing the Dream: Poems and Reflections


首頁:Dedicated to Mother with love
DEEPAK, Thank you for your inspiration and your love

MJ想知道:為什麼這個世界這麼古怪?

中文來源:MJJCN.com  編譯::Keen

2010511 - 狄巴克·喬布拉(Deepak Chopra,美籍印度裔心靈導師,舉世聞名的醫學專家和人類潛能研究領域的領袖人物,曾是MJ的精神顧問)在《時代週刊》一篇回憶邁克爾·傑克遜(Michael Jackson)的文章中寫道:

我和邁克爾認識於二十年前;我到Neverland教他冥想。他非常害羞,非常內向,但對意識和心靈非常好奇。你知道,當這個世界都在說他古怪時,他卻想知道為什麼這個世界這麼古怪。

他會問我,為什麼人們會去打仗?為什麼會有大屠殺?蘇丹發生了什麼?為什麼我們要毀滅環境?為什麼會有種族主義、偏執、仇恨和偏見?

我們談到孟買快要餓死的孩子們,他會開始哭泣。又或者我們談到加拿大獵殺灰熊的比賽,他又會開始哭泣。

在他看來,這個世界簡直瘋了。

Michael Jackson with Dr. Deepak Chopra in a Limousine, California , USA , ...
DEEPAK CHOPRA: “If you really understood Michael, he was the most innocent, loving, compassionate human being that you could imagine. He was too gentle for this world. The trial really traumatized him, and hurt him and made him even more frail than he was.”
Deepak Chopra Remembering Michael June 26, 2009
http://www.time.com/time/specials/packages/article/0,28804,1907409_1907413_1907555,00.html

Deepak Chopra is a medical doctor and author of several best-selling books on spirituality.
I met Michael more than 20 years ago; I went to teach him meditation at Neverland. He was very shy, very introverted, but very curious about consciousness and spirituality. You know, while the world called him weird, he wondered why the world was so weird. He'd ask me, Why do people go to war? Why is there genocide? What's happening in Sudan ? Why have we killed the environment? Why is there racism and bigotry and hatred and prejudice? We talked about starving children in Mumbai, and he would start to cry. Or we'd start to talk about the trophy-hunting in Canada of the grizzly bear, and he would start to cry. In his mind, the world was psychotic.
Deepak Chopra
http://www.huffingtonpost.com/deepak-chopra/a-tribute-to-my-friend-mi_b_221268.html


Author, Sirius radio host, founder of the Alliance for a New Humanity
 June 26, 2009
A Tribute to My Friend, Michael Jackson Michael Jackson will be remembered, most likely, as a shattered icon, a pop genius who wound up a mutant of fame. That's not who I will remember, however. His mixture of mystery, isolation, indulgence, overwhelming global fame, and personal loneliness was intimately known to me. For twenty years I observed every aspect, and as easy as it was to love Michael -- and to want to protect him -- his sudden death yesterday seemed almost fated.

Two days previously he had called me in an upbeat, excited mood. The voice message said, "I've got some really good news to share with you." He was writing a song about the environment, and he wanted me to help informally with the lyrics, as we had done several times before. When I tried to return his call, however, the number was disconnected. (Terminally spooked by his treatment in the press, he changed his phone number often.) So I never got to talk to him, and the music demo he sent me lies on my bedside table as a poignant symbol of an unfinished life.

When we first met, around 1988, I was struck by the combination of charisma and woundedness that surrounded Michael. He would be swarmed by crowds at an airport, perform an exhausting show for three hours, and then sit backstage afterward, as we did one night in Bucharest, drinking bottled water, glancing over some Sufi poetry as I walked into the room, and wanting to meditate.


That person, whom I considered (at the risk of ridicule) very pure, still survived -- he was reading the poems of Rabindranath Tagore when we talked the last time, two weeks ago. Michael exemplified the paradox of many famous performers, being essentially shy, an introvert who would come to my house and spend most of the evening sitting by himself in a corner with his small children. I never saw less than a loving father when they were together (and wonder now, as anyone close to him would, what will happen to them in the aftermath).

Michael's reluctance to grow up was another part of the paradox. My children adored him, and in return he responded in a childlike way. He declared often, as former child stars do, that he was robbed of his childhood. Considering the monstrously exaggerated value our society places on celebrity, which was showered on Michael without stint, the public was callous to his very real personal pain. It became another tawdry piece of the tabloid Jacko, pictured as a weird changeling and as something far more sinister.

It's not my place to comment on the troubles Michael fell heir to from the past and then amplified by his misguided choices in life. He was surrounded by enablers, including a shameful plethora of M.D.s in Los Angeles and elsewhere who supplied him with prescription drugs. As many times as he would candidly confess that he had a problem, the conversation always ended with a deflection and denial. As I write this paragraph, the reports of drug abuse are spreading across the cable news channels. The instant I heard of his death this afternoon, I had a sinking feeling that prescription drugs would play a key part.

The closest we ever became, perhaps, was when Michael needed a book to sell primarily as a concert souvenir. It would contain pictures for his fans but there would also be a text consisting of short fables. I sat with him for hours while he dreamily wove Aesop-like tales about animals, mixed with words about music and his love of all things musical. This project became Dancing the Dream after I pulled the text together for him, acting strictly as a friend. It was this time together that convinced me of the modus vivendi Michael had devised for himself: to counter the tidal wave of stress that accompanies mega-stardom, he built a private retreat in a fantasy world where pink clouds veiled inner anguish and Peter Pan was a hero, not a pathology.

This compromise with reality gradually became unsustainable. He went to strange lengths to preserve it. Unbounded privilege became another toxic force in his undoing. What began as idiosyncrasy, shyness, and vulnerability was ravaged by obsessions over health, paranoia over security, and an isolation that grew more and more unhealthy. When Michael passed me the music for that last song, the one sitting by my bedside waiting for the right words, the procedure for getting the CD to me rivaled a CIA covert operation in its secrecy.

My memory of Michael Jackson will be as complex and confused as anyone's. His closest friends will close ranks and try to do everything in their power to insure that the good lives after him. Will we be successful in rescuing him after so many years of media distortion? No one can say. I only wanted to put some details on the record in his behalf. My
son Gotham traveled with Michael as a roadie on his "Dangerous" tour when he was seventeen. Will it matter that Michael behaved with discipline and impeccable manners around my son? (It sends a shiver to recall something he told Gotham : "I don't want to go out like Marlon Brando. I want to go out like Elvis." Both icons were obsessions of this icon.)

His children's nanny and surrogate mother, Grace Rwaramba , is like another daughter to me. I introduced her to Michael when she was eighteen, a beautiful, heartwarming girl from Rwanda who is now grown up. She kept an eye on him for me and would call me whenever he was down or running too close to the edge. How heartbreaking for Grace that no one's protective instincts and genuine love could avert this tragic day. An hour ago she was sobbing on the telephone from London . As a result, I couldn't help but write this brief remembrance in sadness. But when the shock subsides and a thousand public voices recount Michael's brilliant, joyous, embattled, enigmatic, bizarre trajectory, I hope the word "joyous" is the one that will rise from the ashes and shine as he once did.




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